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Holland-Dozier-Holland |
Holland-Dozier-Holland: Motown Hit Machine
Holland-Dozier-Holland was Motown Record's
premier songwriting production team responsible for the "Motown Sound."
Utilizing an excellent team of session musicians (The Funk Brothers) and
sophisticated studio equipment, Holland-Dozier-Holland wrote and produced
over twenty five top ten hits that were popular with black and white
audiences and put Motown's brand of soul music into the fore front of
American popular music in the 60s.
Lamont
Dozier began singing as a child in his grandmother's choir. By the age of
ten he had written his first song. He first recorded with the Romeos at
fifteen. In 1958 he met Berry Gordy Jr., and recorded as Lamont Anthony for
Gordy's Anna Records label in 1961. Eddie Holland met Gordy in 1958 and
dropped out of college to work for him. Holland had one of Motown's first
hits "Jamie" in 1962. Brian Holland collaborated on two early hits for The
Marvelettes,
"Please Mr. Postman" and "Playboy."
In 1963, Brian and
Eddie
Holland and Lamont Dozier teamed up as a songwriting-production unit.
Between 1963 and the end of 1967 H-D-H wrote majority of Motown's hit
singles, with Brian writing the music, Eddie writing the lyrics, and Lamont
doing both. Their hits included "Heat Wave," "Quicksand," and "Nowhere To
Run" for
Martha and The Vandellas, "Mickey's Monkey" for
The Miracles,
and "Can I Get a Witness," "Your a Wonderful One," and "How Sweet It Is (To
Be Loved by You) for
Marvin Gaye.
Eddie Holland later collaborated with Norman Whitfield on "Ain't Too Proud to
Beg," "Beauty Is Only Skin Deep," " (I Know) I'm Losing You" all hits for
The
Temptations.
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Berry Gody with Holland-
Dozier-Holland |
Much of H-D-H best material was reserved for
The Four Tops
and The
Supremes. Their hits for The Four Tops included "Baby I Need Your
Loving," "I Can't Help Myself," "It's the Same Old Song," "Reach Out I'll Be
There," "Standing In the Shadows of Love," and "Bernadette."
Their biggest success was with The Supremes
whom they wrote ten Top 10 records. These included "Where Did Our Love Go,"
"Baby Love," "Come See About Me," "Stop! In the Name of Love," "I Hear a
Symphony," "My World Is Empty Without You," "Love Is Like an Itching in My
Heart," "You Can't Hurry Love," "You Keep Me Hangin' On," and "Love Is Here
and Now You are Gone." H-D-H's "Reflections" and "In and Out of Love" were
hits for
Diana Ross and The Supremes.
In late 1967, H-D-H quit Motown
to form their own labels, Invictus
and Hot Wax. A series of lawsuits
between Motown and H-D-H stop them from writing songs after May 1969.
Nonetheless, they produced a number of hits in the early '70s. Those by
Invictus included "Give Me Just a Little More Time," "Pay To the Piper,"
"Chairman of the Board" and "Finder's Keepers" by
The Chairman of the Board, and "Bring the Boys Home" by
Freda Payne.
Hits by Hot Wax included "Someone's Been Sleeping" by
100 Proof Aged in Soul, and "Girls It Ain't Easy," "Want Ads,"
"Stick-up," "One Monkey Don't Stop No Show," and "The Day I Found Myself" by
Honey Cone.
Following an out-of-court
settlement in early 1972, Brian Holland and Lamont Dozier began writing and
recording this hits, "Don't Leave Me Starvin' For Your Love" and "Why Can't
We Be Lovers" on Invictus. They recorded as a duo in 1973, the year that the
partnership ended. Lamont Dozier than pursued a solo recording career and had
hits with "Trying to Hold on to My Woman," "Fish Ain't Biting," and "Let Me
Start Tonight" on ABC Records in 1974.
Later he switched to Warner Brothers
and then to Columbia. Dozier produced
Aretha
Franklin's 1977 album Sweet Passion and wrote for
Simply Red,
Boz Scaggs,
Eric Clapton,
and Phil
Collins during the '80s. In 1991, he recorded Inside Seduction for
Atlantic Records.