Northern Soul - A UK
Phenomenon
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The Twisted Wheel |
Northern Soul refers to the
music and associated dance styles and fashions that were popular in the
dancehalls of northern England, starting in the late 1960s. In the
beginning, the dancing was athletic, featuring spins, flips, and drops. The
music originally consisted of obscure American soul recordings with an
uptempo beat, very similar to and including
Motown
Records and more obscure labels (e.g.
Okeh Records).
By 1970, British performers were recording numbers for this market, and the
scarcity of soul records with the required rhythm led to the playing of 'stompers',
which were records by any artist that featured the right beat. The phrase
northern soul was coined by journalist Dave Godin after a visit to the
Twisted Wheel Club sometime around 1970 for his column in Blues and Soul
magazine.
A large proportion of Northern
Soul's original audience came from the mod movement, with their love of soul
music. As some mods turned away from these sounds to embrace the psychedelic
movement of the late 1960s, many mods - especially those in northern England
- elected to stick to the original soundtrack of soul and ska. Some became
what would eventually be known as skinheads, and others formed the basis of
the northern soul scene. Early northern soul fashion included bowling
shirts, button-down Ben Sherman shirts, blazers with centre vents and
unusual numbers of buttons, Trickers brogue shoes, baggy trousers or
shrink-to-fit Levis jeans. Many dancers wore badges representing membership
in clubs organized by dance halls.
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Wigan Casino |
The first club that effectively
defined the northern soul sound was Manchester's Twisted Wheel Club. Other
early clubs were the Golden Torch in Stoke, Wigan Casino, Blackpool Mecca,
The Catacombs in Wolverhampton, North Park in Kettering, The Mojo in
Sheffield and Cleethorpes Winter Gardens (still a Northern Soul venue today)
and Va Va's (where Richard Searling used to DJ).
The music reached its peak of popularity in the mid to late 1970s, when
Wigan Casino was voted the world's number one discotheque. Thousands of
people visited every week, but the exclusive and underground appeal of the
music was lost and many of the hardcore 'soulies' drifted away. In 1981,
when Wigan Casino shut down, many feared the death knell had been sounded
for northern soul. But the mod revival in the late 1970s and the later
scooterboy subculture produced a new wave of fans.
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1st Anniversary Flyer
from the Wigan Casino |
The 1980s, while often
dismissed as a low period for the northern scene by those who had left in
the 1970s, actually featured almost 100 new venues in places as diverse as
Bradford, London, Peterborough, Leighton Buzzard, Whitchurch, Coventry and
Leicester. Pre-eminent among the 1980s venues were Stafford's Top of the
World and London's 100 Club. Top of the World drew small crowds by Wigan
Casino standards, and it eschewed the 'pop' northern soul which had been
adopted in the latter days of Wigan Casino. Where once most of the records
played had been 100mph stompers, now the DJs also played mid-tempo tunes,
ballads and modern soul (new releases of the 1980s).
Northern soul is among the
most expensive of musical genres to collect. Hundreds of 7" vinyl discs have
broken the £1,000 (c.$2,000) barrier.
Frank Wilson's "Do I Love You" sold several years ago for £15,000
(c.$30,000) (as cited on Ian Levine's The Strange World of Northern Soul DVD
set). The value of many discs has appreciated due to rarity, quality of the
beat, melody and lyrics (often expressing heartache, pain or joy related to
romantic love). In later years, many Northern Soul fans went on to expand
their collections and accommodated the richer and more complex modern soul
sound in the early-1970s and beyond (tracks such as
Garfield Fleming's - "Please Don't Send Me Away" exemplify this).
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Vintage Wigan Club Badge |
Many northern soul artists
attempted stardom without all of the necessary ingredients in place.
Low-budget independent labels couldn't deliver the necessary promotion and
radio play. Many artists had to go back to their day jobs, thinking
themselves failures, with their records sinking into obscurity, until they
were revived in the Northern Soul circuit. Songs by
The Fascinations and
The Velvelettes that were released in the 1960s became top 40 UK hits in
1970. The Fascinations made #30 with "Girls Are Out to Get you" and the
Velvelettes made #35 with "These Things Will Keep Me Loving You."
Some acts have been over to England to perform their golden oldies at
all-nighters, often many years after the original releases. In the 21st
century, rare 1960s soul sounds are still being discovered by fans, and
Northern Soul is still going strong around the world.
Article courtesy of
www.wikipedia.org